top of page

The Time Is Never Ripe

2nd July - 31st August 2026

Raqs Media Collective
Curated by: Qamoos Bukhari

IMG_6031.jpg


About the Exhibition

The Time Is Never Ripe explores different ways of understanding time, from the deep time held within minerals and fossils, to historical time shaped by empire and industry, and speculative futures shaped by uncertainty. At LAMO, their practice enters into dialogue with the landscape and changing social fabric of Ladakh.

Bringing together photography, painting, sculpture, installation and film, the exhibition reflects on how our surroundings and ways of living are being transformed by economic systems, climate change, technological development and changing relationships between people and public institutions. These changes are particularly visible in Ladakh, where glaciers, water sources, pastures, villages and patterns of movement are undergoing rapid transformation.

Spread across two floors of the seventeenth-century LAMO building, the exhibition explores two interconnected human experiences. The upper floor considers the ways external forces can unsettle and overwhelm the body, prompting us to respond, adapt and find ways to endure. The lower floor turns towards the strength and solidarity that emerge from these experiences, the ability to preserve memories, reclaim what has been lost, and imagine a future without allowing hardship to define it.

The works are placed in close conversation with the material and architectural character of the LAMO building. Through this encounter, Ladakh is presented not as a distant or static landscape, but as a place of ongoing change, where questions of environment, memory, movement, power and community become increasingly urgent.

At a time when Ladakh stands at a crossroads between continuity and acceleration, where glaciers become rivers, pastures become roads, and villages increasingly become sites of new infrastructure and movement, the exhibition invites visitors to pause and pay attention. The Time Is Never Ripe asks us to consider the different times held within a landscape, to recognise the pressures shaping the present, and to reflect on how memory, imagination and collective action might help us navigate uncertain futures.

About the Artist

Raqs Media Collective is an artists’ collective comprising Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. Based in New Delhi, the collective has been working together since 1992.
Raqs’ practice moves across contemporary art, research, writing and curatorial work. Their work brings together different forms and disciplines, including photography, film, installation, sculpture, performance and text.
Raqs’ work often responds to social, political, technological and environmental changes, bringing together philosophical questions with everyday experiences. Their practice invites audiences to look closely at the relationship between memory, power, desire, technology, ecology and the future.
Over the years, Raqs Media Collective has exhibited and worked internationally, developing a distinctive practice that combines artistic production with research and critical inquiry.

bottom of page